QSC Audio Car Stereo System DSP 30 User Guide

Hardware Manual  
DSP-30  
Computer Configurable Digital Signal Processor  
*TD-000097-00*TD-000097-00  
Rev.C  
 
Table of Contents  
INTRODUCTION  
Product Overview..................................................................4  
Front and Rear Panel Illustrations and Dimensions.................4  
INSTALLATION  
Unpacking..................................................................................................6  
What is Included...................................................................................6  
Mounting............................................................................................6  
Connections:  
Balanced Audio Connector Pinouts........................7  
Unbalanced Audio Connector Pinouts................................8  
Audio Inputs and Outputs..........................................9  
RS-232 Port....................................................................10  
System Requirements...........................................................................11  
Software Installation...........................................................................11  
USE  
Control, Indicator, and Connector Descriptions..................12  
General Use Guidelines.................................................................14  
Presets....................................................................................15  
How to save presets into the DSP-30...........................................15  
How to recall Presets ...............................................................16  
Lockout feature use.......................................................................17  
Contact closure Feature .............................................................18  
RS-232 pinout.........................................................................19  
Application Example....................................................................20  
SPECIFICATIONS.......................................................................................................................................................22  
ARCHITECT’S & ENGINEER’S SPECIFICATION..............................................................................................24  
QSC INFORMATION  
Maintenance, Warranty & QSC Contact Information................................25  
© Copyright 2002, QSC Audio Products, Inc.  
QSC® is a registered trademark of QSC Audio Products, Inc., Costa Mesa, CA  
“QSC” and the QSC logo are registered with the U.S. Patent and Trademark Office  
3
 
Introduction: Overview and Illustrations  
Overview  
reconfigure, and unmute in a fraction of a second, providing  
smooth transitions free of thumps, clicks and other undesir-  
able audio artifacts. The contact closure input feature allows  
for instantaneous gain changing and other programmable  
uses.  
The DSP-30 and Signal Manager software combine easy-to-  
use, customizable, two-channel DSP with simple operating-  
mode selection that requires only two buttons to operate. It  
canbeusedwithallamplifiersandishousedina1-RU,19-inch  
rack-mount steel chassis. Sampling frequency is 48 kHz. with  
24-bit resolution. Dynamic range is greater than 93dB. It is  
absolutely rugged and dependable in the spirit of all QSC  
professional audio products and fully suited for the rigors of  
touring use.  
Use the QSC Signal Manager software to create the preset  
configurations. Please refer to page 11 for computer system  
requirements and software installation guidelines. For in-  
structions for creating a simple signal processing chain, refer  
to the software help file. QSC’s Signal Manager software  
provides an easy-to-use graphical user interface where DSP  
“objects” are placed onto a workspace and interconnects are  
drawn. This interface allows almost infinite configuration  
possibilities.  
Processing capabilities of the DSP-30 include compressors,  
limiters,delays,parametricEQ,high/lowpassfilters,high/low  
shelf filters, test signal generators (sine-wave, pink- and  
white-noise),splitters/mixers,polarityreversal,gain/attenua-  
tion, and metering. A feature called “Predictive Delay” en-  
ables the DSP-30’s compressors and limiters to produce less  
signaldistortionthantheiranalogcounterparts, especiallyfor  
fastattacktimes.Predictivedelayaddstimedelaytothesignal  
path and must be accounted for to maintain proper time  
allignment. Using the Signal Manager software, predictive  
delay may be turned on or off; when on, it will provide time  
delay information to the operator.  
Signal Manager transfers the preset data to the DSP-30  
through a serial data cable. The cable connects between the  
computer’s COM port and the DSP-30’s RS-232 port. Once the  
presets have been loaded, connection to the computer is no  
longer required. This feature allows essentially tamper-proof  
DSP setup. Stored presets can be recalled using the front  
panel Select button. Modification of stored presets, or the  
creation of new presets can be implemented by connecting a  
computer and loading the new presets into the DSP.  
The DSP-30 provides powerful signal processing while keep-  
ing operation as simple. Preset operating modes are user-  
selectablebyscrollingthroughthelistofnumberedPresetson  
the front panel display and selecting. The DSP-30 will mute,  
The DSP-30 will provide many years of reliable, professional  
qualitysignalprocessing.FromallofusatQSCAudioProducts,  
“Thank you.”  
Front Panel  
Browse button  
Accept button  
Power ‘on’ indicator LED  
Power switch  
RS-232 connector  
Signal indicator LED’s  
Rear Panel  
Multi-segment LED numeric display  
Input Connectors  
Output Connectors  
AC Power Connector  
4
 
Introduction: Illustrations and Dimensions  
Dimensions  
5
 
Installation: Unpacking and Mounting  
Unpacking  
Therearenospecialunpackingprecautions. However, itisrecommendedyoukeeptheoriginalpackingmaterialforreuse  
in the rare event that service be required. If service is required and the original packing material is not available, ensure  
that the unit is adequately protected for shipment (strong box of appropriate size , sufficient packing material to prevent  
load-shifting or impact damage).  
What is included in the carton:  
Item  
1-  
Description  
Quantity  
DSP-30 Digital Signal Processor  
Self-adhesive rubber feet  
Hardware Manual (this document)  
Signal Manager Software CD  
IEC Power Cord 3 x #18 AWG  
RS-232 cable (6 ft.)  
1
4
1
1
1
1
2-  
3-  
4-  
5-  
6-  
Mounting  
The DSP-30 can be used in or out of an equipment rack. Adhesive rubber feet are included for non-rack mount installations.  
Use them to prevent the unit from scratching or marring support surfaces.  
Rack Mounting  
Rack mount the DSP-30 by support-  
ing it from underneath while align-  
ing the mounting holes with the  
threaded screw holes in the rails;  
install all four mounting screws and  
washers and tighten securely. Ensure  
use of all four mounting screws in  
order to minimize the chance of  
bending or distorting the rack mount  
ears. Rack mounting is optional.  
Support the Rear for Portable/Mobile Installations  
If the DSP-30 is to be transported while in a rack, we recommend supporting the rear of the chassis. This will help  
prevent the unit from being damaged from the increased mechanical stresses of portable and mobile use. The DSP-  
30’s chassis includes integral rear mounting tabs for securing to the rack mounting ears.  
6
 
Installation: Balanced Audio Connections  
Connecting Audio Inputs and Outputs  
Allaudioconnectionsshouldbebalancedtoensurethebestperformance.Unbalancedsignalsmaybeusedifnecessary;follow  
the wiring guidelines below for recommended unbalanced termination.  
The audio input jacks are female 3-pin XLR /TRS “combo” connectors. They will accept male XLR plugs or TRS (tip-ring-sleeve)  
1/4-inch phone plugs. The audio output jacks are male 3-pin XLR connectors.  
BALANCED  
Balanced connection is recommended for all inputs.  
The XLR - TRS “combo” inputs are electronically balanced.  
Balanced input cables are recommended to minimize noise  
pick up and prevent ground loops.  
Refer to the pinouts provided (below) for proper connection.  
XLR  
TRS (1/4 inch)  
TRS- tip, ring, sleeve (3  
conductors)  
Suitable only for  
inputs.  
7
 
Installation: Unbalanced Audio Connections  
Connecting Audio Inputs and Outputs  
Allaudioconnectionsshouldbebalancedtoensurethebestperformance.Unbalancedsignalsmaybeusedifnecessary;follow  
the wiring guidelines below for recommended unbalanced termination.  
The audio input jacks are female 3-pin XLR /TRS “combo” connectors. They will accept male XLR plugs or TRS (tip-ring-sleeve)  
1/4-inch phone plugs. The audio output jacks are male 3-pin XLR connectors.  
UNBALANCED  
Unbalanced inputs can be  
used if required. If unbal-  
ancedaudiosourcesare used,  
XLR  
it is preferable to use an ap-  
propriateaudiotransformer(or  
otherunbalanced-to-balanced  
“converter”) to provide a bal-  
anced input. If this is not pos-  
sible, then it is recommended  
thatthenegative terminaland  
shield terminal be connected  
to one another with a jumper  
wire.  
TS (1/4-inch phone)  
This style of plug  
automatically connects  
the negative terminal to  
shield when inserted in  
the jack.  
TRS (1/4-inch)  
NOTE for above abbreviations: TRS- tip, ring, sleeve (3 conductors)  
TS- tip, sleeve (2 conductors)  
8
 
Installation: Connecting Audio Inputs and Outputs  
Audio Connections  
Once the input and output cables have been properly wired, they can be connected to the receptacles on the rear panel of the DSP-30.  
INPUTS- Input jacks are “combo” style. They  
accept either male XLR or 1/4-inch diameter TRS  
phone plugs. Plug line level audio source into the  
Rear Panel Audio  
input jacks. Use balanced connections wherever  
Connections  
possible.  
OUTPUTS- Output jacks are male XLR style. They  
accept female XLR plugs. Connect the DSP outputs  
to the next audio device in the signal chain (this is  
usually a professional audio power amplifier). Use  
balanced connections wherever possible.  
Basic Audio Connections  
The basic application shown is representa-  
tive of most simple installations. The audio  
sourceoutputs(consoleoutput,mediaplayer)  
are connected to the DSP’s input jacks. The  
audio program material is processed by the  
DSP and sent out the output jacks. Connect  
the DSP’s outputs to the next device’s input  
jacks. This next device is typically an audio  
power amplifier, but can be other signal-  
level devices, monitor busses, Ethernet au-  
dio devices, etc...  
As with all professional audio installations,  
use balanced and fully shielded audio con-  
nectionswhereverpossible.Ifconnectionto  
an unbalanced source is neccessary, use an  
audiounbalanced-to-balancedconverter(au-  
dio transformer or active-DI box) to properly  
isolate the source. If this is not possible, we  
recommendthattheunusedminus(-)termi-  
nal be connected to ground (the shield) in  
order to minimize noise.  
NOTE! AC line cord omitted for clarity. Ensure AC power is properly con-  
9
nected.  
 
Installation: Connecting to the RS-232 Port  
Connecting to the RS-232 Port  
Connect to the RS-232 port using the 9-pin serial data cable (included in the shipping box). Orient the DB-9 plug correctly,  
insert the plug fully into the RS-232 port and finger-tighten the retaining screws. The cable length should be 25 feet or less.  
“Null-modem” type cables will NOT work.  
Connection to the computer is required only while loading the presets into the DSP-30 or for “real-time” adjustments to a  
configuration before saving it as a Preset. Communication is established using the Signal Manager program. Refer to the  
software help file section, “RS-232 Communication” for the proper procedure and software/hardware settings that effect  
RS-232 communications.  
DSP setup and programming takes place through the RS-232 port. Any time you need to load different presets, connect to  
the computer using the RS-232 port. If “real-time” control is required, the RS-232 port connection is required. If you do not  
need real-time control, then you can disconnect the serial port after loading the presets. The eight preset configurations  
will remain in memory and can be recalled by using the front panel buttons as described on page 16.  
RS-232 port connection  
10  
 
Installation: System Requirements and Software Installation  
The DSP-30 relies on the Signal Manager software for its DSP signal chains or configurations. You must use the supplied  
software to design your configurations and then load those configurations into the DSP-30 using a simple RS-232  
connection. The DSP-30, as shipped from the factory, is configured to pass audio signals from input to output unaffected  
for all 8 presets. Use the software’s Help System for instructions on how to use the Signal Manager software.  
System Requirements  
To use the QSC Signal Manager software, you need the following:  
• IBM compatible computer, 200 mHz or greater Pentium processor  
• Windows 98/2000 or Windows NT 4.0 with Service Pack 6a or later  
• SVGA display at 800 x 600 minimum resolution, 1024 x 768 recommended  
• CD-ROM drive  
• 32 MB or more of RAM  
• 10 MB of free hard disk space  
• An available RS-232 serial communications port (COM port) capable of 38.4k baud  
• A male-to-female 9-pin serial cable (to connect the DSP to available COM port)  
Software Installation  
1. Insert the QSC Signal Manager CD into your drive (typically drive “D:”). If your computer has AUTORUN enabled, the installation will  
start automatically after several seconds. If it does not, then proceed to step 2, below. Otherwise, skip to step 3.  
2. Select Run from the Windows START menu. In the blank space, type “D:\setup.exe”. Press “OK”.  
3. Follow the on-screen installation instructions.  
4. After Signal Manager has finished installing, a “readme” file will automatically be displayed (by default). Please take the time to read  
this important information. It contains the most recent information about using the software and related issues.  
5. To run the application, double-click the QSC Signal Manager icon that was placed on your desktop during install or select “Programs,  
QSC Signal Manager, Signal Manager” from the Start menu.  
6. Refer to Signal Manager’s on-screen help system for detailed instructions on creating configurations and general use information. Also  
7. IMPORTANT! The DSP is shipped with all of its presets configured to pass full-range audio signals through both channels. THIS MAY  
NOTBEAPPROPRIATEFORYOURSETUP!Besuretoconfigureanynecessarycrossovers, filters, etc. priortoapplyingaudio  
signals to the inputs. Damage to equipment may result if these recommendations are not followed.  
• The last active Preset used when the unit is turned off becomes the active Preset again once the power is reapplied. This  
ensures that the system “comes up” just as it was left last time it was powered down.  
• Do not run your amplifier “wide open” (maximum gain) while making real-time adjustments to the DSP’s setup. The nature  
of the communication path between the PC and DSP is inherently more complex than direct physical controls of an equivalent  
analogprocessingdevice. UnpredictableresultsmayoccurduetofailureofthePCorthecommunicationschannel. Undersuch  
circumstances, damage to your drivers is possible if the amplifier gain is set for high power levels. Use the minimum useful  
gain settings while making system adjustments.  
11  
 
Use: Control, Indicator, and Connector Descriptions  
FRONT PANEL  
POWER indicator- This blue LED illu-  
POWER switch- This rocker switch  
turns the unit on by pressing the top  
side of the switch. Turn off by pressing  
the bottom side of the switch.  
minateswhentheunithaspowerprop-  
erly applied and the power switch is in  
the “On” position.  
SIGNAL-ThesegreenLED’silluminate  
when the unit detects an input signal  
on each channel. Each channel’s indi-  
cator operates independently. Dual  
brightness levels indicate signal level.  
At 40dB below clipping, they will light  
dimly;at20dBbelowclipping, theywill  
light brightly.  
NUMERICDISPLAY- Thismulti-seg-  
mentnumericdisplayindicatesthepre-  
set selected. The decimal point after  
thenumber indicateslockmodewhen  
illuminated.  
A steady display indicates the active  
preset number. A flashing display indi-  
cates the pending preset selection.  
REAR PANEL  
CH1INPUT,CH2INPUT-These femaleXLR-combojacks  
are the line-level audio inputs to the unit. TRS or XLR  
connectors may be used.  
CH 1 OUTPUT, CH 2 OUTPUT-- These male XLR outputs  
provide post-DSP (processed) signal from the unit. Con-  
nect the outputs to your amplifier’s inputs (or other  
downstream device).  
They are electronically balanced with an input impedance  
of 8.3k Ohms. If used in an unbalanced configuration, the  
input impedance is 3.7k Ohms.  
There is a software-selectable output pad that may be  
used to attenuate the output level.  
Input sensitivity is selectable in software.  
12  
 
Use: Control, Indicator, and Connector Descriptions  
PC INTERFACE RS-232- This DB-9 female jack is for attaching the serial cable  
between the unit and the computer. Use this connection for loading your DSP  
configurations from the computer to the DSP and for “real-time” configuration  
tuning with Signal Manager software.  
NOTE! Pressing the ACCEPT button and holding for at  
PRESET SELECTIONS buttons-  
least 3 seconds locks (disables) the BROWSE key to  
prevent accidental operation. The ACCEPT key must be  
pressed again and held for at least 3 seconds to  
“unlock” the BROWSE button so that other presets may  
be accessed again.  
BROWSE- increments the Preset Memory and the Preset  
Number Display.  
ACCEPT- after using the BROWSE button to choose a  
Preset number, press ACCEPT within 30 seconds to acti-  
vate the selected Preset.  
AC power receptacle-  
The DSP-30 uses a detachable IEC standard power cord for connecting to a grounded AC  
source. To connect power: identify the proper end of the cord, match the orientation of  
the receptacle on the rear panel and insert firmly into the receptacle. The power supply  
will accept from 100 to 240 Volts AC, 47 to 63 Hertz. Make sure the power cord used is  
suitable for the line voltage the unit is connected to. If a different type of IEC power cord  
is required, contact QSC’s Technical Services Department to obtain the correct one.  
13  
 
Use: General Use Guidelines and Preset Description  
IMPORTANT! Please read before operating this Digital Signal Processor with your audio system.  
General Use Guidelines  
Asageneralrule,DONOTCREATESIGNALLOOPS! Donotmix  
ThisisaprofessionallevelDSPproductthatallowstheuserto  
produce virtually unlimited signal processor variations and  
configurations.Becauseoftheinfiniteconfigurationpossibili-  
tiesofdigitalsignalprocessing,itispossibletocreateconfigu-  
rations that may result in unwanted signals or uncontrollable  
output.  
the output of a DSP object back into its own input! There is  
nothing useful to achieve by doing this, you will only create an  
oscillator that could damage your speakers. Also, USE THE  
SINE AND NOISE GENERATOR OBJECTS WITH GREAT CAU-  
TION! These functions produce signals that can harm your  
speakers. Start with lowered gain settings. If you don’t hear  
a signal when you think you should, DO NOT INCREASE THE  
GAIN!!! If the signal isn’t audible at lower levels, there is  
somethingelsewrong. Turningupthegaintofullexposesyou  
and your system to the possibility that some loose connection  
somewherewillsuddenlysendafull-amplitudesignalthrough  
your sound system.  
The Signal Manager software has no way of knowing if the  
DSP configuration you have designed will produce the results  
you intend. You can create signal loops in a configuration that  
may oscillate and damage your sound system if applied to the  
unit. When applying an untested configuration or when  
designingorexperimentingwiththisunit,itisaverygoodidea  
to turn down the amplifier’s physical gain controls. That way,  
you won’t damage your speakers or create very loud sounds if  
you apply a configuration that doesn’t do what you thought it  
would.  
Like all freely configurable signal processing tools, this DSP  
will do what the configuration your design tells it to do, which  
may not be what you expect it to do, so use caution.  
NOTE! The factory setting for all eight presets is wire-through.  
Signals are passed from input to output without any processing.  
You may select configurations from the sample files (*.cfg)  
within Signal Manager or create your own.  
Factory Presets  
14  
 
Use: Saving Presets Using QSC’s Signal Manager software  
Presets  
The DSP-30 must be loaded with your desired presets using the Signal  
Manager program before use. Test all new presets for expected behavior at  
low power levels to avoid inadvertently damaging speaker systems.  
The DSP-30 has eight Preset memories numbered 1 through 8. Presets are DSP configurations  
saved to memory in the DSP. Only one preset may be active at one time. The possible configurations of  
the presets are essentially limitless. You will need to configure the preset memories with signal  
chains that meet the precise requirements of your sound system using QSC’s Signal Man-  
ager software. For help creating configurations, refer to the software’s on-line Help system  
for detailed information.  
Configuring the DSP-30’s Presets  
The DSP configurations created with the Signal Manager software are not usable until they are saved  
into the DSP. The software includes a collection of various sample configurations for your use. Modify  
and save them as your own configurations if they prove useful in your applications. You may also create  
your own to precisely fit your audio system. Once a configuration has been created and saved, it may be  
loaded into the DSP.  
How to Save Presets into the DSP-30  
1- Connect the DSP-30 to the PC using a 9-pin serial cable. Run the Signal Manager program.  
The preset configuration that is running in the DSP will be displayed on the Signal Manager  
workspace. It should match the front panel LED display of the DSP-30.  
2- You may now create a new configuration (or modify the existing one) to be saved as a DSP  
preset. To create a new configuration, select Configuration/New from the menu bar. This will  
clear the workspace and activate the DSP tools and filter icons. If a configuration already  
exists in the computer, choose the Configuration/Open menu item and select the desired con-  
figuration from the Open window. Note that in each of these cases, the Configuration Pane at  
the bottom of the workspace changes from reading ‘ACTIVE’ to ‘EDIT.’  
3- After creating (or editing) your configuration and making the necessary parameter changes,  
select Configuration/Save DSP Preset from the menu bar. Then choose the Preset Identifica-  
tion Number that you wish to program. Press the OK button.  
4- Once the DSP is programmed with the configuration, the text banner at the top of the  
workspace will reflect the selected Preset Identification Number, as should the front panel  
LED of the DSP-30.  
NOTE! When programming presets into the DSP-30, be sure  
that the preset selected is the one you wish to overwrite.  
Once the configuration is applied to the DSP-30, the selected  
preset’s previous information is overwritten.  
15  
 
Use: How to Recall a Preset from the Front Panel  
TO RECALL A PRESET-  
1- Press the BROWSE key until the desired preset number shows in the display.  
The selection display flashes until Step 2 (below) is completed.  
2- Press the ACCEPT key to activate the selected preset in the DSP.  
Once the preset is active, the display will stop flashing.  
Note! The ACCEPT button must be pushed within 30 seconds of  
selecting the preset. If a longer time passes, the DSP-30 will  
revert to its original preset.  
Additional Tips:  
a)RecallingpresetswilltypicallybedonewithouttheuseofaPCbyusingtheBrowseandAcceptbuttonsonthefrontpanel.  
However, a PC with Signal Manager software may be used if desired. Refer to the on-line Help file to learn more about this.  
b) Each preset can be dramatically different from one another. For that reason, when a preset is changed the outputs will  
mute, the DSP will be reconfigured, and then the outputs will unmute. This happens in fractions of a second. This ensures  
thatundesiredtransientsareminimizedduringpresetchanges. Forliveshows, thislimitsthechangingofpresetstopauses  
in the program material (like in between songs or sets).  
c) The front panel buttons can be ‘locked’ to prevent undesired operation. The next page describes how to do this.  
FRONT PANEL DISPLAY- Indications during preset operation and recall  
Example- Preset 1 is active  
as indicated by the steady  
illumination of the display.  
Press BROWSE once and  
the display will increment  
to “2.” The display will  
flash, indicating the  
ACCEPT button must be  
pushed to confirm the  
selection.  
Press ACCEPT once and  
the display will change  
from flashing to steady  
illumination. The ACCEPT  
button must be pushed  
within 30 seconds of  
preset selection.  
16  
 
Use: LOCK OUT Feature  
TO LOCK THE FRONT PANEL BUTTONS (Browse and Accept pushbuttons)-  
1- Press the Accept button and hold it down for at least three seconds.  
2- The “lock” indicator will illuminate.  
3- The Browse button is disabled.  
Press the Accept button and hold  
for three seconds to lock/unlock  
the preset selection.  
UNLOCKED  
LOCKED  
FRONT PANEL DISPLAY-  
Example shows Preset 7 in  
“unlocked” and “locked” state.  
LOCK INDICATOR  
illuminated when  
locked  
TO UNLOCK FRONT PANEL BUTTONS-  
1- Press and hold the Accept button for at least three seconds.  
2- The Lock indicator will extinguish.  
3- The Browse button is enabled.  
Note:WhenthePCiscommunicatingwiththeDSP-30, theLOCKINDICATORwilloccasionallyilluminate.  
Thisisnormalandprevents commandsfromboththefrontpanelandPCfrominterferingwithoneanother.  
17  
 
Use: Contact Closure Feature  
Contact Closure Feature  
The contact closure feature is used to trigger gain changes  
in the DSP. Any configuration that uses one or more  
switched gain objects (see Signal Manager software Help  
file ) can take advantage of this feature. The contact  
closure will trigger all switched gain objects at once.  
All switched gain objects in a DSP configu-  
ration will be triggered by the one contact  
closure. It is not possible to trigger  
switched gain objects individually!  
Wiring Diagram for Contact Closure  
This feature requires the construction of a simple RS-232 cable (or through-adapter plug) that brings  
out pins 5 (GND) and 9 (contact closure trigger). These pins may be connected to a simple toggle or  
pushbutton switch that will be used to trigger a switched gain object in a DSP configuration. Refer to  
Signal Manager software Help file for available contact closure features.  
18  
 
Use: RS-232 Pinout  
RS-232 Pinout:  
The diagram below shows the pin assignments for the female RS-232 connector on the DSP.  
Pin  
Signal Description  
1
2
3
4
5
6
7
8
9
DCD  
TD  
RD  
DTR  
GND  
DSR  
RTS  
CTS  
Contact Closure  
*Note! Pin 9 is used for contact closure input. This pin is not normally used by RS-  
232 devices. Some laptop and desktop computer COM ports have been observed to  
“pull” pin 9 to ground; this will cause unexpected behavior of the contact closure  
function if pin 9 is not disconnected on the PC end of the cable. If this behavior is  
observed, make sure that pin 9 is disconnected on the PC end of the cable.  
19  
 
Use: Application Example  
TRI-AMPED PA CABINETS WITH SUBWOOFER (refer to illustration at right)  
This is highly generalized, but shows the main idea in cre-  
ating larger systems. In this example, the audio source ma-  
terial is connected to the inputs of all four DSP’s. Take care  
to keep right and left channel signals connected to the cor-  
rect channels of downstream equipment. For example, keep  
all left channel signals routed through the channel 1 sec-  
tions of downstream gear and all right channel signals  
routed through channel 2 sections of downstream gear. This  
preserves stereo imaging.  
limiting. DSP #3 (assigned to low frequency drivers) might  
provide a 45 Hz to 1100 Hz bandpass with EQ to remove  
modal resonances of the listening environment. DSP #4  
(subwoofer drive) could be assigned a low pass filter with a  
-3dB point of 50 Hz and equalization as required. All the  
filters mentioned above would have assignable response  
type (where applicable) and assignable slope characteris-  
tics enabling precise tuning of the system.  
Power requirements for high frequency drivers are gener-  
ally much lower than for low frequency drivers; this requires  
either reduced gain in the signal processing stage or the  
lower power amplifier for the high frequency drivers. The  
opposite is true for the subwoofers; they generally require  
the highest power to drive them, so assign your most pow-  
erful amplifiers to the lowest frequency drivers. Assign your  
amplifiers to the drivers according to the required power  
levels .  
Each DSP would be setup independently with the appropri-  
ate crossover response and equalization for the specific  
driver being used. Refer to the speakers (or drivers) docu-  
mentation for recommended frequency range, drive level,  
and any other applicable information. In the example at right,  
DSP #1 (assigned to high frequency drivers) might be set up  
for a high pass filter with a -3dB point of 6 kHz and high-  
speed limiters to protect them from transients. DSP #2 (as-  
signed to midrange drivers) might be set for a band pass  
filter, with -3 dB points at 1 kHz and 7 kHz using mild signal  
20  
 
Use: Application Example  
TRI-AMPED PA CABINETS WITH SUBWOOFER: Sample Application Diagram  
21  
 
Specifications  
Audio Converters  
24 bit, 48 kHz.  
Frequency response  
at 1dB below full  
20 Hz–20 kHz 0.4 dB  
scale input voltage  
(all sensitivities)  
Distortion  
<0.007% THD+N @ 1dB below full scale output, all sensitivities, 20 Hz– 20 kHz  
1.00 milliseconds  
Group Delay  
Dynamic range  
AES-17 -60dB method  
>95dB unweighted, 1.5V, 4V and 9V input sensitivity  
>93dB unweighted, 18V input sensitivity  
Polarity  
Mute  
In-phase or inverted  
>95 dB attenuation  
Indicators  
Power: 1 blue LED Channel 1 and Channel 2 signal presence: 2 green LED’s  
Preset Display: 7 segment LED  
Inputs  
Outputs  
Program inputs  
Connector  
2
Program outputs  
Connector  
Type  
2
3-pin female XLR -TRS 1/4” combo jack  
Electronically balanced  
3-pin male XLR receptacle  
Electronically balanced  
All shield terminals connected to  
chassis  
Type  
Grounding  
Grounding  
All shield terminals connect to chassis  
Input sensitivity  
(full scale input level)  
Level and units are selectable  
in software interface  
Output level  
(full scale)  
Level and units are selectable  
in software interface  
Maximum Output  
9.3 Vrms (+21.5 dBu)  
-6dB  
Impedance  
8.3 K Ohm balanced  
3.7 K Ohm unbalanced  
Output Pad  
Common-mode rejection  
Crosstalk  
>54 dB, 20 Hz–20 kHz  
>80 dB separation, 20 Hz–20 kHz  
Output impedance  
600 Ohms balanced  
Input/Output Termination: All XLR’s: pin 2- hot (+), pin 3- cold ( - ), pin 1- ground / All 1/4” TRS: tip- hot, ring- cold, sleeve-ground  
RS-232 Port  
Port Description  
RS-232, female, straight through  
Cable Type  
Maximum Cable Length  
supplied: 9-pin serial cable, male-to-female (serial extension cable)  
25 feet (7.6 meters)  
Contact Closure Input (sense)  
Inputs  
1 discrete input, TTL compatible, pin #9 of RS-232 port  
Configuration  
Single-ended input, pull LOW (to GND, pin 5) for closure detect  
Resistance for closure detect <150 Ohms  
Resistance for open detect >1.9 K Ohms  
Maximum Voltage  
+9 VDC  
Note: Specifications are subject to change without notice.  
22  
 
Specifications  
Signal Processing Capabilities  
Compressor (RMS responding)  
8 programmable presets  
RS-232 control  
Peak limiter (peak responding)  
Parametric equalization  
High and Low shelf Filter  
Signal splitter  
Signal polarity selection  
High and Low pass Filter (responses: Butterworth, Bessel, Linkwitz-Riley)  
Delay (910 millisecond max., all delay objects, 20.83 microsecond increments)  
Signal level meter (peak or RMS responding)  
Signal gain/attenuation (with mute or bypass)  
Mixer (2 to 1 mixer with mute and lock channels feature)  
Pink and white noise generator  
Variable frequency tone (sinewave) generator  
Contact closure input (pin 9 of the RS-232 port can be pulled to ground (pin 5) for control purposes)  
Gain Structure (balanced input and output)  
Input  
Sensitivity  
Setting  
Input Signal  
Level (Vrms, Full  
scale input)  
Output Pad  
Setting  
Output  
Voltage  
Resultant  
Gain  
1.50 V.  
4.00 V.  
9.00 V.  
18.00 V.  
Out  
Out  
Out  
Out  
1.65 Vrms  
4.39 Vrms  
9.90 Vrms  
17.50 Vrms  
9.30 Vrms  
9.30 Vrms  
9.30 Vrms  
6.20 Vrms  
+15.0 dB  
+6.5 dB  
+0.5 dB  
-9.0 dB  
1.50 V.  
4.00 V.  
9.00 V.  
18.00 V.  
In  
In  
In  
In  
1.65 Vrms  
4.39 Vrms  
9.90 Vrms  
17.50 Vrms  
4.70 Vrms  
4.70 Vrms  
4.70 Vrms  
3.10 Vrms  
+9.0 dB  
+0.5 dB  
-6.5 dB  
-15.0 dB  
NOTE! Full scale output voltage of  
the DSP-30 is 9.30 Volts (rms)  
General  
Physical  
Internal Power Supply  
AC Input Voltage  
Chassis Type  
Steel (chassis & covers)  
1.73 inches  
18.9 inches (including rack ears)  
14.9 inches (including rear ears)  
13.7 inches (excluding rear ears)  
100–240 VAC, autodetect  
0.3 Amps (rms) at 120 VAC  
40 to 63 Hz  
Height  
Width  
Depth  
AC Input Current  
Frequency  
Power Cord  
Recommended  
IEC-type 3-conductor, #18 AWG  
Weight  
9.5 lb. (4.3 kg) net  
12.5 lb. (5.7 kg) shipping  
Mounting  
Stand-alone or rack mount  
0° to 50° Celsius  
Operating temperature  
Note: Specifications are subject to change without notice.  
23  
 
Architect’s and Engineer’s Specification  
Compressor-- The DSP shall provide a signal compressor that is  
The Digital Signal Processor (DSP) shall provide two independent  
channels of DSP for signal delivery to all professional power  
amplifiers. Input and output sensitivity shall be adjustable to  
accommodate consumer and pro audio signal levels.  
assignableanywhereinthesignalchain.Itshallbebased  
upon the RMS signal level. The compressor shall be  
capableofbeingbypassed.Thecompressorshallprovide  
the following adjustments:  
Output Peak Limiter—For each audio channel, the DSP shall  
provide a peak limiter that is assignable anywhere in the  
signal chain and can be bypassed. Its operation shall be  
based upon the peak signal level. The limiter shall provide  
the following adjustments:  
Gain  
Threshold  
Attack time  
Release time  
Compression ratio  
Gain  
Threshold  
Attack time  
Release time  
Predictive Delay  
Power Supply—The DSP shall be provided power from an inter-  
nal power supply that operates from line voltages in the  
range of 100-240 VAC and frequencies from 40 to 63  
Hertz.LinecordconnectiontotheDSPshallbeviaanIEC-  
type line cord receptacle.  
Predictive Delay  
High- and Low-Pass Filters—For each channel of audio, the  
DSP will provide high-pass and low-pass filters that are  
assignable anywhere in the audio chain. The DSP shall  
provide the following crossover responses:  
Amplifier Interface—The DSP shall connect to amplifiers using  
standard 3-pin XLR connections. Provisions for both bal-  
anced and unbalanced connection shall be provided.  
Butterworth (6,12,18,24 dB per octave slope)  
Bessel (6,12,18,24 dB per octave slope)  
Linkwitz-Riley (12 & 24 dB per octave slope)  
Noise & Tone Generation-- The DSP shall provide pink and  
whitenoisegenerationcapability.Itshallalsoprovidefor  
user-specified tone generation. Level control of noise  
and tone objects shall be provided  
High-andLow-PassShelfFilters—Foreachaudiochannel,the  
DSP shall provide high-pass and low-pass shelf filters  
that are assignable anywhere in the audio chain. The  
shelffiltersmustbecapableofbeingbypassed. TheDSP  
shall provide the following shelf filter adjustments:  
Presets— The DSP shall be capable of storing eight preset  
configurations. Preset recall capability shall be via two  
front panel push-button switches and shall not require  
theuseofacomputer.Thecontrolsoftwareshallprovide  
management of these presets.  
Variable corner frequency  
Variable gain  
General—All audio inputs and outputs shall be balanced. Audio  
inputandoutputsensitivityshallbeprogrammableusing  
the control software. Units will be user-selectable from  
dBu, dBV and Volts (rms).  
Variable slope  
Contact Closure I/O—The DSP shall provide a trigger input  
usableforcontact-closure(orother)purposewhichshall  
be CMOS & TTL signal compatible.  
Control— The DSP shall be configurable via a front panel acces-  
sible RS-232 port.  
The Digital Signal Processor shall be the QSC DSP-30.  
24  
 
Maintenance, Warranty & QSC Contact Information  
Disclaimer  
Cleaning  
QSC Audio Products, Inc. is not liable for any damage to speakers,  
amplifiers, or any other equipment that is caused by negligence or  
improper installation and/or use of this digital signal processor.  
QSC Audio Products, Inc. is not liable for any direct or indirect  
damage caused by computer communications failure.  
The faceplate and chassis can be cleaned with a soft cloth and  
nonabrasive, mild cleaning solution. Products like Simple Green  
andWindexworkwell.Donotusepowdersorscrubbingpadsofany  
type as they are usually abrasive and will permanently damage the  
finish of your DSP-30. Dampen a soft, lint-free cloth with the  
cleaning solution and wipe the unit down gently. Insure that  
cleaningsolutiondoesnotgetintotheconnectors. Donotspraythe  
solution directly onto the unit as it will penetrate into the connec-  
tors.  
Product Warranty  
QSCguaranteestheDSP-30tobefreefromdefectivematerialand/  
orworkmanshipforaperiodofthreeyearsfromthedateofsale,and  
will replace defective parts and repair malfunctioning products  
under this warranty when the defect occurs under normal installa-  
tion and use—provided the unit is returned to our factory via  
prepaidtransportationwithacopyoftheproofofpurchase,suchas  
a sales receipt. This warranty provides that examination of the  
returned product must indicate, in our judgment, a manufacturing  
defect. This warranty does not extend to any product which has  
been subjected to misuse, neglect, accident, improper installation,  
or where the serial number and date code have been removed or  
defaced.  
User Maintenance  
There are no user servicable parts in the DSP-30. Contact QSC’s  
Technical Services Department if service is required.  
Warranty Information  
If the DSP-30 isn’t working properly, please verify that a known  
good 9-pin serial cable is used between the DSP-30 and the  
computer for loading Presets. If proper operation can not be  
restored, the DSP-30 may require service. This must be per-  
formed by qualified service personnel. To obtain the location of  
your nearest QSC Authorized Service Center, please contact your  
QSC dealer or contact QSC’s Technical Services Department.  
If the DSP-30 is returned to the factory for service, it should be sent  
in the proper QSC carton. If you did not save the original carton, ask  
your QSC dealer for one or call QSC to have one sent to you. This  
warranty does not cover shipping damage caused by improper  
packing or the use of improper shipping cartons.  
FACSIMILE (FAX) NUMBERS:  
WORLD WIDE WEB:  
Sales & Marketing FAX  
Technical Services FAX  
ADDRESS:  
(714) 754-6174  
(714) 754-6173  
TELEPHONE NUMBERS:  
Main Number  
(714) 754-6175  
QSC Audio Products, Inc.  
1675 MacArthur Boulevard  
Sales Direct Line (714) 957-7100  
or (800) 854-4079 toll free (U.S.A. only)  
Costa Mesa, CA 92626-1468 USA  
Technical Services (714) 957-7150  
or (800) 772-2834 toll free (U.S.A. only)  
25  
 
Notes  
26  
 
Notes  
27  
 
1675 MacArthur Boulevard Costa Mesa, California 92626 USA PH: (714) 754-6175 FAX: (714) 754-6174  
© Copyright 2002, QSC Audio Products, Inc.  
QSC® is a registered trademark of QSC Audio Products, Inc., Costa Mesa, CA  
“QSC” and the QSC logo are registered with the U.S. Patent and Trademark Office  
 

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